Racial Profiling Chicago 12 Essay - 3081 Words

RACIAL PROFILING IN CHICAGO 12 Racial Profiling In Chicago Loyola University Chicago Introduction Racial profiling is a discriminatory act committed by law enforcement officials in which individuals are targeted and discriminated against based on race, religion, culture or any criteria which defines a person. Racial profiling is based around the suspicion of crime where officers turn to designated characteristics they believe to be associated with certain groups of people that commit misconducts. It is a major problem in Chicago as it affects minorities which reside in often poverty stricken neighborhoods while also effecting minorities living in middle-class areas around the city. Racial profiling is a major issue because not only does it lead to unfair discrimination against a certain group of people; it violates the main foundation of what the Constitution of the United States was discovered upon. The United States was found on the grounds that all people have equal protection under the law of the nation and that each person is entitled to the 4th amendment with r egards to being secure ?in their persons and houses? against unreasonable searches and seizures. It also continues to increase the distance of collaboration between communities and law enforcement, ruining policing efforts in the process while losing the trust of the citizens in the city. This paper will touch on the historical perspective of how racial profiling came to be an issueShow MoreRelatedStop-and-Frisk Research Paper1050 Words   |  5 PagesStop-and-Frisk: Cleaning up the Streets, or Racial Profiling at its Finest? Taryn Konkler Introduction to Law Enforcement Professor Michael Glendon Imagine innocently walking down the street in a city you’ve lived in your whole life, when all of a sudden you hear the dreaded â€Å"woop woop† and see those flashing red and blue lights. The police. They interrogate you, ask your whereabouts, and finally, they â€Å"frisk† you. Of course, they find nothing; they rarelyRead MoreAmerican History: Racial Profiling and Bias in The Media 905 Words   |  4 Pagesused to change one’s opinion on the way they may think of a particular race. Still today the media influences our mind, however many believe due to media bias and racial profiling will affect how â€Å"fair† their trial will be. In fact in today’s society, citizens in the United States are unable to gain a fair trial due to racial profiling, and bias in the media. Since early in American history, those who were not white were perceived to be non-American. Non-whites were treated as if they were inferiorRead MorePolice Brutality and Profiling1196 Words   |  5 Pagesthey do not know if they will ever see their family again after they drive out of their house in the morning, others might say every officer knows what they were signing up for so they should not be pitied. Police officers face dangers everyday but profiling and racially motivated brutality is not justifiable and officers should be severely punished for committing these crimes. To begin with police officers faces more dangers than the average American citizen, â€Å"generally police are about three timesRead Morestop and frisk1498 Words   |  6 Pagespolice officers are suppose to be protected and help us out when needed. The reality of it is police officers are out here on the beat violating are constitutional rights. Stop and frisk was to help fight crime on the streets but all it caused was racial profiling by officers everyday for the last twelve years. Stop and frisk has been used and abused and young adults are afraid to leave their house because they know they will be harassed for no good reason. Stop and frisk has caused a war between the officersRead MoreRacial Profiling Is Wrong Or Wrong?1826 Words   |  8 Pages Racial profiling has been a touchy subject for United States citizens. Racial profiling has been around for quite some time in America and it more than often benefits the majority population (white America). More recently, the controversial topic has been brought to light. The debate over Racial Profiling topic is whether or not racial profiling is wrong or right. Multiple opinions from notable sources have been debating over this topic for decades. Some sources give reasons and examples in orderRead MoreOur Law Enforcement and Safe Neighborhoods Act Analysis1005 Words   |  5 Pageslanguage regarding discrimination that Southern segregationist Congressmen and Senators advanced nearly fifty years ago to try to eviscerate the federal Civil Rights Act of 1964† (Salden, Pace, Nunn-Gilman, Journal). For instance, S.B. 1070 used racial profiling language when it stated that â€Å"a law enforcement official or agency of [the] state or a county, city, town or other political subdiv ision of [the] state may not solely consider race, color, or national origin in implementing the requirements ofRead MoreA Never Ending Cycle Essay1721 Words   |  7 Pagescomes to hurting others. Minority community subjected in violence by police in the United States. Sometimes even leading to death. This is a major concern for those minorities in the community. Racist violence and police brutality has controlled the racial African Americans and to give powers to the white race. They did this because of a few reasons. Forced the Africans to slavery and to have low wage problems. They wanted to get rid of social life with them, any conflict with the politics, and moreRead MorePolice and Racial Profiling Essay2724 Words   |  11 Pages Can we stop the unjust practice of racial profiling? Is it correct for Police Officers to stop a black driver for an alleged traffic offense to question and sometimes search the black driver? These questions provoke the need to understand rac ial profiling and racism along with what problems are involved and the possible solutions. Doesnt the use of race make sense? Isnt it really just good police work? The guarantee to all persons of equal protection under the law is one of the most fundamentalRead MoreRacial Profiling : A Method Of Spotting And Stopping Drug Traffickers2342 Words   |  10 PagesTaylor Anderson Acc. Academic Literacy Mr. Dakin 17 November 2014 Racial Profiling by Police Ever since the late 1970 s profiling was associated with a method of spotting and stopping drug traffickers. The profiling provided not only a quick way to see evidence of concealment in the vehicle, but included age and race characteristics of possible drivers (Data Collection Resource Center). The controversy is over whether or not there are a disproportionate number of blacks and Hispanics involved withRead MoreRacial Profiling And Its Effects On American Society2621 Words   |  11 PagesEver since the late 1970 s profiling was associated with a method of interdicting drug traffickers (Data Collection Resource Center, n.d., para 3). The profiling provided not only a quick way to see evidence of concealment in the vehicle, but included age and race characteristics of possible drivers (Data Collection Resource Center, n.d., para 3). The controversy is over whether or not there are a disproportionate number of blacks and Hispanics involved with law enforcement that reflects police

The Tenor of a Metaphor, a Rhetorical Term

In a metaphor, the tenor is the principal subject illuminated by the vehicle (that is, the actual  figurative expression). The interaction of tenor and vehicle evokes the meaning of the metaphor. Another word for tenor is topic. For example, if you call a lively or outspoken person a firecracker (The guy was a real firecracker, determined to live life on his own terms), the aggressive person is the tenor and firecracker is the vehicle. The terms vehicle  and  tenor  were introduced by British  rhetorician  Ivor Armstrong Richards in  The Philosophy of Rhetoric  (1936). [V]ehicle and tenor in cooperation, said Richards, give a meaning of more varied powers than can be ascribed to either. Examples The main elements of metaphorical equations such as Life is a walking shadow are often referred to as tenor (thing we are talking about) and vehicle (that to which we are comparing it).   Ground . . . denotes the link between tenor and vehicle (i.e., common properties; Ullmann 1962: 213). Thus, in the metaphor  Ã‚  Life is a walking shadow, life represents the tenor, walking shadow the vehicle, and transience the ground.Alternative terminologies abound. Popular alternatives for tenor and vehicle are target domain and source domain, respectively.(Verena Haser,  Metaphor, Metonymy, and Experientialist Philosophy: Challenging Cognitive  Semantics. Walter de Gruyter, 2005)Tenor and Vehicle in William Staffords RecoilIn William Staffords poem Recoil, the first stanza is the vehicle and the second stanza is the tenor:The bow bent remembers home long,the years of its tree, the whineof wind all night conditioningit, and its answer-- Twang!To the people here who would fret me downthei r way and make me bend:By remembering hard I could startle for homeand be myself again.Tenor and Vehicle in Cowleys The WishIn the first stanza of Abraham Cowleys poem â€Å"The Wish,† the tenor is the city and the vehicle is a beehive:Well then! I now do plainly seeThis busy world and I shall neer agree.The very honey of all earthly joyDoes of all meats the soonest cloy;And they, methinks, deserve my pityWho for it can endure the stings,The crowd and buzz and murmurings,Of this great hive, the city. I.A. Richards on Tenor and Vehicle We need the word metaphor for the whole double unit, and to use it sometimes for one of the two components in separation from the other is as injudicious as that other trick by which we use the meaning here sometimes for the work that the whole double unit does and sometimes for the other component--the tenor, as I am calling it--the underlying idea or principal subject which the vehicle or figure means. It is not surprising that the detailed analysis of metaphors, if we attempt it with such slippery terms as these, sometimes feels like extracting cube-roots in the head.​(I.A. Richards, The Philosophy of Rhetoric. Oxford University Press, 1936)​[I.A. Richards] understood metaphor as a series of shifts, as borrowings back and forth, between tenor and vehicle. Hence, in 1936, his famous definition of metaphor as a transaction between contexts.Richards justified coining tenor, vehicle, and ground to clarify the terms of that transaction. . . . The two parts had been called by such loaded locutions as the original idea and the borrowed one; what is really being said or thought of and what it is compared to; the idea and the image; and the meaning and the metaphor. Some theorists refused to concede how much idea was imbedded in, drawn from the image. . . . With neutral terms a critic can proceed to study the relations between tenor and vehicle more objectively.(J. P. Russo, I.A. Richards: His Life and Work. Taylor, 1989) Pronunciation: TEN-er

Identity in the Workplace Creates Gender Inequality

As the nation’s gender inequality continues to diminish, things like sports stereotypes, and labour force conflict cannot be understood without understanding the term of identity. Identity work is explained by Schwalbe and Mason-Schrock in 1996 as â€Å"anything people do, individually or collectively, to give meaning to themselves or others† (as cited in Ezzell, 2009, p. 1). I propose to examine inequality based on gender identity and in depth the process of stereotype issues, - how people construct stereotypes in gender inequality in the context of sport- among women Rugby. The academic literatures are based on gender identity/ inequality, where it provides many examples of individuals deflecting the norms â€Å"by ... creat[ing] a unique identity as heterosexy-fit— simultaneously tough, heterosexual, and conventionally attractive† (Ezzell, 2009, p. 14). By deflecting/ creating an exception to these norms, it only creates greater issues as not only does society view them in a certain way, but also the player themselves. The overarching goal of the proposal is to address the social issue and understand why society to this date gives harsh views towards women’s rugby with a common stereotypical view. These views were described by Ezzell (2009) who conducted a personal communication with some female rugby players who stated that other views them as: â€Å"scary, butch lesbians,† â€Å"she-males,† â€Å"he-shes,† â€Å"lesbian man-beasts,† and â€Å"butch, big— definitely gay† (p. 8). This study will aid inShow MoreRelatedAnalysis Of Chimamanda Ngozi Adichie s The Night As Hope Essay1690 Words   |  7 Pagesintertwined in her presentation through personal narratives. The first however was the most impactful on Adichie’s feminist identity. She discusses a childhood friend, Okoloma, and how he had called her a feminist. However, Adichie knew that this was not meant as a complimen t, but instead as, â€Å"a supporter of terrorism.† This inspired her to investigate her own feminist identity. However, she quickly found she was many things that were not stereotypically feminist. Many told her it was un-African becauseRead MoreIntersectionality And Social Interequality1578 Words   |  7 PagesIntersectionality is defined as the idea that social identities are created based on the manner in which our multiple group identities intersect. Intersectionality as a theory asserts that each element of identity is linked together to form one individual’s identification. The term intersectionality was created by feminist legal scholar Kimberlà © Williams Crenshaw. 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GenderRead MoreThe Gender Discrimination And Inequality Essay1611 Words   |  7 PagesAim To illustrate the gender discrimination and inequality issues at work and in leadership, consider the reaction to solve these questions. 1.2 Parameters This report discusses some key issues that occur at work and in the leadership of gender discrimination and inequality and current their improved programs in Australia and the United States. It illustrates background context, analysis and future direct, as well, there is 2000 words limit. 1.3 Definitions Gender discrimination is a situationRead MoreSocial Construction Of The Labor Market1169 Words   |  5 Pagesresults and learn to challenge these norms (gender norms). That is why unions are being created, to fix these problems of inequality people face in the labour market. It may never be the intention of the labour force to propagate gender inequality, or perhaps not out rightly so. 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There are two forms: ‘vertical segregation’ describes the clustering of men at the top of occupational hierarchies and of women at the bottom; ‘horizontal segregation’ describes the fact that at the same occupational level (that is within occupational classes or even occupationsRead MoreGender Pay Gap Essay1537 Words   |  7 Pagesever since. In 2005, 58% of women received all bachelor’s degrees (Snyder Dillow, 2007, p. 325). Yet once graduation occurs, there is a different form of gender inequality found at the workplace. Although disparity between the number of men and women in the workforce is explainable, there is nothing to justify the pay inequality between genders. Even currently, the difference between the wages of a male and female worker of the same standard is vast, favouring the male workers. Despite women statisticallyRead MoreThe 1964 Civil Rights Act1173 Words   |  5 Pagessegregation is so rampant in the workplace still? Segregation is defined as the characteristic on which groups are sorted symbolized dominant or subordinate status and become the bases for differential treatment. It provides rewards for the dominating group in society and makes the minority group stay below. This process provides an illusion of equal but separate treatment for the people of the workplace. Making great strides since the 1960’s, woman to male inequality in the workforce has gone down

Luhrmann and Zefferelli comparison as directors Essay Example For Students

Luhrmann and Zefferelli: comparison as directors Essay Both Luhrmann and Zefferelli got their point across to the viewer very well using mise en scene as Zefferelli was nominated as best-director for an Oscar and Luhrmann nominated for an Oscar too. Zefferelli has directed many films in his career, including Hamlet, The Champ and La Boheme, which were all very successful. Luhrmann has directed other films such as Moulin Rouge and Strictly Ballroom, both very successful. Baz Luhrmann and Franco Zefferelli both wrote for the younger audience of their day, although today many think that Zefferellis work is old and boring. Both directors were very successful in their day Luhrmann still is today. Mise en scene is everything in a camera shot but when we analyse it we have to break it down into its six sections. These are, costume; make-up; figure positioning; setting; lighting and props, also it is necessary to analyse cinematography and sound and music as well. By analysing mise en scene in this way we now have a clearer idea of the effect the director wanted to achieve. For example if the director wants to create a sense of fear the actor would have white make-up on their hands and face so the viewer can see they are cold and scared. Costume and Make-up are both important in portraying the day and age of the time the film is supposed to be set in. Both Zefferelli and Luhrmann directed their versions of Romeo and Juliet at people aged around fifteen to thirty at the time of release. There is an immense difference though because when Zefferelli released his version it was about twenty or thirty years before Luhrmann released his. The costume that Luhrmann uses is a contrast to what Zefferelli uses, although they have some similarities, one family wears dark clothes the other bright à ¢Ã¢â€š ¬Ã¢â‚¬Å" in Luhrmanns version the Montagues wear bright and the Capulets wear dark, Zefferelli decided to have it the other way around. In Luhrmanns version the Montague boys wear very loud modern shirts with loose trousers and coloured hair, this signifies that the Montagues are very relaxed and cool among the city. The Capulet boys are the opposite of this and wear dark coloured waistcoats and leather jackets with a shirt underneath bearing a picture of Jesus and overall they have a very Hispanic look, this costume portrays that they are religious and that they like to look powerful among others. The Hispanic look gives the effect that they are a bit evil. Tybalt wears shoes with a metal heel, which signifies that he likes to think of himself as hard and the leader of the Capulet boys. A Montague has dark make-up around his eyes, which shows that he is always in fights. Old Montague and Lady Montague, along with Old Capulet and Lady Capulet, all wear very expensive and posh clothing, signyfiying that the lead their family and it shows their power. The Police Chief and his officers wear the traditional Police uniform bearing their rank, which signifies their power and authority over others. The Nuns at the petrol station, the woman at the petrol station and the newsreader all wear neutral colours, brown and red, to show that they are innocent and not part of the brawls amongst the Montague and Capulet families. In Zefferellis version, the colours of the costume are reversed, meaning the Capulets are wearing bright clothes, looking like medieval jesters and the Montagues are dressed in dark blues and blacks which suggest that they are peaceful and the Capulets want the attention as they also started the fight. Tybalt wears the same colours as the Capulets, but underneath his bright waistcoat he wears more posh clothes than the other Capulets. The Capulet and Montague parents both wear posh clothes with a velvet cape over the top. They are both dark coloured outfits. The Prince and his men all dress very smartly and wear the colour dark red, to symbolise that they are neutral along with the townspeople in the market who wear light blues and browns. Setting and props are used in Romeo and Juliet to create effect: Luhrmann and Zefferelli both use them to show what they want the viewer to perceive them as. In Lurhmans adaptation there is a complete black room with a television in the middle, this s to direct your attention to the newsreader on the Television so you are not distracted. The busy city that is shown, just like the busy marketplace in Zefferellis version, depicts the danger and innocence of the townspeople and that they are involved in a brutal battle when they dont want or need to be. When we see the Montague boys driving down the road, it is as if they are driving to where the action will take place, the Petrol station à ¢Ã¢â€š ¬Ã¢â‚¬Å" the main setting for the action, as this is a neutral place. Like the market place used by Zefferelli, a place where innocent people get involved in the fighting. The view of the Capulet and Montague skyscrapers are separated, this signifies to the viewer that the city is divided into two, half Montague and half Capulet. This also occurs in Zefferellis version because the Capulets come through on street and the Montagues another: therefore they meet in the marketplace, the heart of the action. The weapon rooms in the Montague and Capulet castles are filled with the families weapons. This shows that they are ready to fight and want to fight. Props used in the opening sequence are the guns that are used in the fight, sword in Zefferellis version: this clearly shows that each family is willing to kill the other family, to make their family the best. The match and the cigar that Tybalt has, shows that he is more sophisticated, as he doesnt smoke just a common cigarette. The sign at the petrol station that says CAPULATE VERSUS MONTAGUE à ¢Ã¢â€š ¬Ã¢â‚¬Å" 2ND CIVIL BRAWL is seen whilst on fire to signify that that news is old and there has been now a 3rd civil brawl. Opening scenes of films EssayThe princes horsemen position themselves quite spread out to create a big as gap as possible between the Montagues and Capulets as they seize fighting. The lighting aspect of mise en scene enhances the image that we create in our minds whilst watching a film. The significance of the room being dark and the only light coming from the television is to draw your attention to the newsreader. The view of each families parents getting out of their limousine is in the dark at night time which suggests that they are evil and want to destroy the other family, and also as Old Capulet and Old Montague are in shop with a dark background after the fight suggests they have sinned. There is a lot of light in the shot where the Montagues are shown driving, which signifies that they are the good guys between the two families and also that they are more relaxed. As the Capulets pull onto the forecourt of the petrol station in a moving shot, which follows the Capulets car moving towards the camera, there is a dark shadow around the bottom of the car, this indicates the darkness and evil of the Capulet boys. The Capulet boys stay around the petrol station shop area where it is considerably darker than where the Montague are parked, nearer the road in the light, this also indicates that the Capulets are darker and more evil and the Montagues are the more calm and cool, of the two. The fire of the burning petrol station leaves a black cloud over the city, the purpose of this is that it shows evil and darkness. In Zefferelli adaptation the lighting does not differ often as it is daytime in the marketplace and everything is filmed around that area. As the fighting is in progress, the dust from the market floor is stirred and creates a dark effect, which symbolises danger to the innocent townspeople. The last aspect that you have to look at to analyse a film fully is cinematography, this is what the camera does à ¢Ã¢â€š ¬Ã¢â‚¬Å" its movement etc. The camera slowly zooms into the television, this is important because it slowly gets you involved in the film. The quick flashes of the city and what happened after the fighting grab your attention immediately. Frozen camera shots of each character introduces you to them, to ensure you know your character from the start and do not miss any important parts whilst trying to work out who is who. The quick E. C. Us of Tybalt and BV eyes signify the fear and tension between the two of them. The C. Us of guns shows that the Capulets and Montagues are armed and dangerous and the M. Ss and L. Ss of them using their guns shows they are not afraid to use them. The L. S to M. S zoom, to between the Montague and Capulet buildings shows how separated and apart the families are. The slow motion C. U through Tybalts sniper scope reassures us that he wants to kill. Zefferelli uses basic camera shots, like using a dolly to follow the Capulets through the market place. Also Zefferelli uses the tilt: the shot shows the Capulets feet as they walk further on, the camera moves up the Capulets body as they walk further. Another shot uses the M. S whilst the fights are going on, these shots are more than likely the most up to date shots of the time. In conclusion to thisanalytical essay on the comparison of Baz Luhrmanns and Franco Zefferellis adaptations of William Shakespeares Romeo and Juliet I can conclude that every film, television programme and play involves every aspect of mise en scene and has been thought about a great deal by the irector, as he tries to impress, amaze and create a powerful effect to the audiences that watch. When the six aspects of mise en scene are explored fully the viewer gets a clearer picture of what the effect the director was trying to create. In my opinion, as a teenager, I prefer Baz Luhrmanns adaptation is better and more interesting than Franco Zefferellis. This is because Luhrmanns version is mordern to me and in this day and age there are guns so Luhrmann substitutes swords with guns. Also it is more powerful and Luhrmann has adapted the script slightly so that it is more mordern to what Shakespeare would have used. I also like Luhrmanns version better because of the technology used there is more different types of camera shots and more mordern props can be used. The main part of Luhrmanns version that draws me to it is the powerful music that he uses at the start while some shots of the film are flashing through. Zefferellis version would have appealed to a teenager thirty years ago but now it doesnt because there was not as much technology in those days also the music at the start is very old fashioned and would put most people of today off at the very start.